OHM ~ An amalgam of Eastern and Western musics

The instrument Jeffrey McFarland-Johnson plays in OHM is called the “Zitar” and is based on a design combining the sitar and the guitar by Niladri Kumar, who was born into a famous lineage of sitarists going back many generations. Pandit Kumar names his instrument with a “Z” instead of an “S” because it is electrified (can plug into an amplifier) and has 5-6 strings instead of 19-20 strings on a traditional sitar. Mr. McFarland-Johnson ordered his Zitar from a manufacturer in Mirjab, India and specified that he would like to keep the traditional 19-string sitar configuration; 6-playing strings and 13-sympathetic strings, because this retains the inherent sonic resonant quality of the sitar. The ringing echo of the sitar, with its buzzing javari sound, is a recognizable signature of the instrument that must not be eliminated just because it is electrified through amplification. The Zitar’s nineteen strings creates an alluring Eastern sound to the ear of the Western listener, a musical sound which still remains foreign to many because the sitar is not widely played in public in the West as compared to the guitar, mandolin, banjo, and the violin family. The Western ear is further removed from classical Indian music by the fact that the idea of “raga” is virtually nonexistent in Western culture. ‘Raga’ comes from the Sanskrit word “ranga,” meaning “color” or “atmosphere.” Conversely, in Indian music, the Western concept of harmony, or the vertical alignment of pitches stacked in thirds (Tersian Harmony), is completely void and nonexistent.

The concept of “raga” was first written about between the fifth and seventh centuries. The first book on music theory, Treatise on Harmony, was written by Jean-Philippe Rameau in 1722 and is still considered the definitive authority on Western music theory.

By taking these inherent East/West musical traits, Jeffrey McFarland-Johnson has carved out a new global musical style that integrates familiar Western melodies and harmony in an Indian raga format with the aid of a 4-track HeadRush Looperboard adding backing tracks to Jeffrey’s Zitar performances which can last up to two hours in length. Thus, the eternal sense of traveling through time is achieved while hearing melodies by The Beatles, Jimi Hendrix, George Gershwin, Ornette Coleman, and many other wonderful influential Western musicians. The result is a truly beautiful musical experience which can only be captured in the present moment of live performance.

 

 

 


Jeffrey McFarland-Johnson
Johnsong Music
P.O. Box 3646
Napa, CA  94558

 

Email: info@johnsong.com